Ethos Fain is carving his name into the stone of Hip-Hop/Rap with a surreal aesthetic and poetic vengeance. Bending the expectations placed onto him, he bites back with a cinematic edge and visceral honesty.

Ethos has crafted a sound to fuse hip-hop with atmospheric darkness, seductive melodies, and haunting storytelling.

Fueled by shadows, wrapped in elegance, and sharpened by experience, Fain’s sound is both a personal take on introspection and a mirror held up to society’s fractured glamour.

​

His Debut campaign, A Very Young Entity is a cinematic confessional body of work
exploring identity, obsession, redemption, and power. Each track offering a glimpse behind the velvet curtain and unfolding like a chapter:

Heir to the Throne claims inner sovereignty whilst simultaneously confronting inner power as Black Balloons dares the listener to embrace fear as a gateway to the truth. While Vertigo is spinning through inherited chaos and teaches balance within. Drenched in Sin and Hush Hush Child are his strike back at religious condemnation with brutal elegance, deliberate rage, and ritual beauty.

Ethos offers a final bow with Blood on the Dancefloor as it seduces, warns and examines the true cost of fame, tempting the line between indulgence and erasure while revealing the surreal process of becoming with mythic journey insights of self-discovery in House of Mirrors.

​

Emerging from the shadows of personal transformation, Ethos Fain’s vision as an artist is cinematic, theatrical, and unnervingly honest. Often showcasing the duality between chaos and control he claims he wasn’t made to fit in the light but built to redefine the shadows. He writes not to provoke, but to pull others into their own reckoning. His voice is as much a weapon as it is a refuge crafted for those who find light in the shadows.

Given as an invitation into the mind of an artist who’s walked through fire and refuses to be anything less than authentic. This chapter may have been his darkest, but it is only the beginning. Stating “Darkness was never the enemy. It is the origin.”